Adam Day
Midnight's Lion and the Wedding Fire
When outside of prison doesn’t look much worse than life in,
routine security community, just another neighborhood.
Wish resentment gets their children present. Kids
local schools be mediocre, unengaged and bored. And they are
all that frustration and free time somewhere: whether starting
a California, turn pro with a skateboard, gangbanging,
becoming new Nico Muhly.
Interestingly, this concern for iterative selves across
a spectrum, bring meaningful conversation with breaches more
subtle. And the struggle for expression, represented by these
breaches, that urgently untangling toward meaning, or
simple retrospective understanding. Resistance and play which reproduces
a foundational struggle with the protean nature of
language, memory and the self.
Only one thing: it’s the bomb that wins” recasts War Mastung,
Banu, Nice, Baga, Baghdad, Deir ez-Zor into conflict between
explosives and everything else: whatever does not explode
on impact cities, islands, archipelagoes implausible imminent
pervaded. Trauma, a thrilling nonevent questions, without
offering answers tracing unstable limits like the ruin,
its untimeliness and its out-of-placeness of definition
and delimitation.
Many war diaries across time develop impressions of siege
experienced by youngest victims hours watching miners
wielding massive picks dig into hard stone inch by inch
occasionally dynamite the rock” carved bomb shelters,
indigenous limestone people slept, ate, argued, had sex and
birth. Barrel bombs in the dockyard,” voices “drowned in the
explosions
or the chattering of the ground artillery.” The siege began
on June 11, lasted until two years January 20; all told,
there were _ , _ _ _ casualties and _ _ , _ _ _ homes destroyed
by both nation’s group’s bombers most days, effectively
creating subterranean society “sheltered in whatever cliffs
rarely ever coming to daylight pounded by average bombers
a day . . . lull in the bombardment children emerge to
gather around “a broken structure” descend from “the top of a slope
of debris” like a spies,” transfixed by a cleric “[w]edged under
a fallen beam,” the children: “Speak to us,” they goad, “What
is your sermon today?”
What sleeps`1`1 an underground shelter, young, daughter,
among peers, a generation learned to cope with turmoil
of relentless bombardment “swinging down from the trees,
jumping off the ruined ends of jetties into the sea” they swarm
“among the ruins,” words find themselves “drawn
by the detritus” in “site[s] where things are being visibly
worked on” their dirt, noise and roughnecking” devised to veil
the world that was.”
Before coming to the children “growing up in state housing
their land was becoming” a night down in abandoned sewer,
raining outside phosphorous flares above the city, a few candles
in here, barrel bombs. The child sleeps shoulder drooling.
Packed close round are other citizens little talk listen wide eyes
to above the streets at first cried on being wakened middle of
night. But grown used to stand now near
the entrance to shelter, watching flares and bombs, chattering,
nudging, pointing. Will be a strange generation.